Keigo Higashino: The Devotion of Suspect X – Yôgisha X no kenshin (2005)

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Every year I want to participate in Bellezza’s Japanese Literature Challenge but most of the time I miss it. This year I thought I won’t make plans but if I happen to read Japanese literature, I will join spontaneously. Towards the end of December I felt the urge to read Japanese literature. I enjoyed my first book so much, that I’ve already read two other Japanese books. One is nonfiction, one is literary fiction, and this one, Keigo Higashino’s The Devotion of Suspect X, is a crime novel. I’d bought the German translation of this book a year ago, but only remembered it when I came across the review of another of Higashino’s novels, Malice, on Guy’s blog. I’m so glad, I finally read it. What a fantastic novel. Unusual and surprising and with such a special atmosphere. I was almost sad when it was finished.

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The premise is original. For once it’s not a “whodunnit” nor a “whydunnit” but rather a “will they get away with it”. We know from the beginning who is the murderess and why she committed the crime. Yasuko, who works in a bento shop, has killed her violent ex-husband. The only witness is her twelve year old daughter. Or so she thinks. Soon she finds out that there’s another witness – her neighbour Ishigami. She knows Ishigami by sight. Every morning, before work, he buys a bento in the shop where she works. The owners think it’s funny. They are sure he’s got a crush on her. Yasuko never even thought about it. She’s happy she’s left her ex-husband behind and doesn’t work in a bar anymore. Her life with her daughter, her work at the bento shop, fulfill her. She’s not interested in men. Ishigami has heard the fight through the thin walls and interpreted correctly that Yasuko killed her husband in self-defence. Because her daughter is in part responsible for the killing, she doesn’t want to go to the police and Ishigami tells her that he will take care of it. He will provide her with the perfect alibi.

When the dead man’s found near a river, the police soon question Yasuko and her daughter. For some reason they suspect her. But almost every element of the alibi holds up. The police also find out about Ishigami and his infatuation, and so the two are scrutinized even more closely. The detective who is in charge of the murder investigation is friends with a famous physician Dr. Yukawa. When he tells him of the investigation, they find out, that Yukawa and Ishigami used to be friends. Intrigued, Yukawa contacts Ishigami. At first he wants to renew their friendship but then he starts to suspect something and starts his own investigation.

The story is multilayered and told from different perspectives. It’s also psychologically complex. This complexity is part of the mystery. Yasuko meets Kudo, someone from her days at the bar, and begins a relationship with him. As soon as this happens, everything shifts. There’s the fear Ishigami may betray her out of jealousy. The police suspect her again because they think maybe her new lover helped her get rid of her ex-husband. And Ishigami is afraid that she might tell Kudo something.

The whole time, the reader wonders how Ishigami did it. How could he provide them with such an alibi? The end was very different from what I expected. It had two twists I didn’t see coming. While the book works as a crime novel, it’s just as good on many other levels. The characters are unusual and well-rounded. The relationships are complex and interesting. Ishigami, who’s the first narrator, is by far the most intriguing protagonist. Not only because he helps Yasuko, but because of everything else we find out about him. Not an everyday character by any means. It feels like they are all trapped in a web, and every tiny movement, affects them all. Even the police. The possible outcome, the course of the investigation is much more important for the detective than it usually is in a crime novel, because his best friend begins to investigate as well.

The Devotion of Suspect X is a very clever novel. It’s as subtle as it is complex, told in a cool tone and infused with a gentle, melancholic mood. I absolutely loved it.

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The review is my first contribution to Bellezza’s Japanese Literature Challenge X

Here’s the review list.

Gil North: Sergeant Cluff Stands Firm (1960)

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Sergeant Cluff Stands Firm is the first in Gil North’s Sgt. Cluff crime series, one of the titles in the British Library Crime Classics series. In the 60s, North’s series was very successful and was even made into a TV series, but it’s long been forgotten and out of print. Luckily North’s first two novels, along with a variety of other forgotten British crime classics, are available again. I’ve been following Guy’s (His Futile Preoccupations) progress through the British Library Crime Classics series in the last couple of months and was keen on finally trying them for myself. Reading his review of North’s second Cluff novel finally made me pick up one of the books. I liked what he wrote about book two The Methods of Sergeant Cluff, so much, that I thought it was worthwhile to start the series at the beginning. (Of course, he reviewed book one too (here’s the review) but for some reason I never saw that review.)

The series is set in Yorkshire. Descriptions of the bleak landscape, the rough weather, the lonely moors are part of the appeal. And the main character Sergeant Cluff, of course. Cluff is one of those silent, loner type detectives. He mostly keeps to himself, lives outside of the small village, gets in trouble with his superiors. That might not sound all that likable but as soon as I found out that, like Hamish Macbeth, he’s a lover of animals and owns a cat and a dog, I was won over. Sometimes an animal loving character can be depicted as a misanthrope, but while Cluff is wary of fellow humans, he’s a very empathic, compassionate man. And it takes a man like that, someone who observes people, feels compassion, to detect that something’s fishy, when they find the body of Amy Wright.

Amy Wright is found dead, in her bed, in her gas-filled house. She’s a woman in her forties, who, after a life of taking care of her mother, got married to a much younger man. A useless man with the reputation of being a womanizer. It seems obvious that Amy committed suicide. While Sgt. Cluff can’t find proof that it isn’t a suicide, he still thinks she might have been murdered and finds it odd that her husband has disappeared.

When his superior doesn’t want him to pursue the case, Cluff takes a vacation, investigates on his own, uncovers some very dark secrets, and puts himself in danger.

I was so surprised by this book. It starts a bit like a cozy mystery but then quickly turns into a realistic, bleak tale of disappointment and greed. I liked that not the whole book was told from Cluff’s point of view. The points of view of other characters were included which gave the impression the book was far more substantial than it is (it has only 155 pages). The descriptions of the landscape, and the time, Yorkshire in the 60s, was something else I appreciated. This is a old-fashioned, but changing world. Another surprise was that the book which initially felt quite pensive, picked up speed and turned into a real page-turner towards the end.

As soon as I had finished, I ordered book two in the series. I think that tells you how much I liked it. Cluff reminded me of M. C. Beaton’s Hamish Macbeth. I’m pretty sure, she knew North’s series. Her series is more on the cozy side and Hamish is less of a loner. Nonetheless, there are parallels— the love for animals, the compassion and the strong sense of place. And I will definitely read more of the British Library Crime Classics.

Ursula P. Archer aka Ursula Poznanski: Five – Fünf (2013)

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Last year I read Ursula Poznanski’s YA thriller Erebos and liked it a great deal. When Lizzy mentioned that one of Poznanski’s crime novels for adults had been translated, I knew I had to read it. Not that I read it in English, of course not, but it’s always nicer to review books that have been translated.

Five – Fünf, the first in a series, introduces detectives Bea Kaspary and Florin Weininger of the Landeskriminalamt in Salzburg, Austria. They have been called to an unusual crime scene – a cow pasture. A woman has been found dead. Her hands tied in the back. She has been thrown from a small mountain overlooking the pasture. On the soles of her feet, they find a tatoo of strange numbers, which turn out to be coordinates. Those will lead them to a severed hand and more co-ordinates, which lead to another body part and other coordinates. The second set of coordinates aren’t added in the same straightforward manner as the first. They can only be found after the detectives solve a riddle for which they need to find someone. As if finding body parts wasn’t bad enough, the people who are the clues to solve the riddles, get killed as soon as they have been found by the police.

Five is very well done. It’s extremely suspenseful and, like in her YA novels, Ursula Poznanski/Archer uses a type of game or hobby – in this instance geocaching. I’d never heard of it but it seems that the author herself is a dedicated geocacher. Geocaching uses coordinates and hiding places. On a website you find coordinates and can then hunt a hidden object. The objects are often hidden in beautiful places. So it’s a bit of a mix between hiking and some sort of treasure hunt. It’s a trademark of Poznanski’s writing to use such modern-day games/technology as a base—computer games, live role-playing, drones . . .

I can’t say too much but although this sounds like a serial killer story, it’s not. Nonetheless, it’s quite gruesome in places.

Since this is the beginning of a series, the characters are very important. The detectives are very likable and well drawn. Bea is a mom of two, newly divorced from a bullying husband and still deeply traumatized by something that happened in her past. Florin is single but just started to date someone. That’s important because Bea clearly has a bit of crush on him. They work very well together, are almost friends. Bea is rather unconventional and gets into trouble with her superiors while Florin looks out for her and defends her.

One could call Five a crime novel with thriller elements. It’s very suspenseful and should appeal to many different crime readers – those who prefer thrillers, those who like a mystery, and those who love police procedurals. It has Poznanksi’s trademark mix of likable characters, impeccable pacing and contemporary feel. None of her novels could have been set at another time. I like that. She explores many themes in this book but they are tied so closely into the motive for the murder that I cannot say too much. If you’re looking for a suspenseful page-turner and love crime series, give this one a try.

If you’d like to find out more about geocaching – here’s a link.

Tammy Cohen: When She Was Bad (2016)

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I’ve read many crime novels and thrillers this summer. Some of them still make me yawn. Luckily, Tammy Cohen’s novel When She Was Bad wasn’t one of them. On the contrary. I really enjoyed the story, the characters, and the structure. The book is told as a dual narrative, from eight different points of view. This could have resulted in a very disjointed story but it is rounded and convincing. Everyone who has ever worked in an office will recognize many things— petty jealousies, backstabbing, gossip, toxic bosses, ludicrous team building events, but also daily rituals, after-work drinks, and camaraderie.

If there hadn’t been the blurb on the book cover and the first chapter from the point of view of Anne, a character who is outside of the story, I wouldn’t have considered this to be a psychological thriller at first. That’s not a bad thing, because it is captivating nonetheless. It works just as well as a story about office politics as it works as a thriller.

But the initial chapter is there and tells us that something bad will happen. Anne, the narrator of that chapter, is a psychologist. When she was a young woman she worked with very troubled children. One of these children has committed a crime. She sees the now grown-up on TV and remembers. Her memories, which form the first narrative strand, explain why a horrific crime happened, while the second narrative strand, at the office, tells us the story of the crime.

At the beginning of the story set at the office, the former boss of a group of people has been sacked without forewarning. A new boss, Rachel, has taken over. Initially the group, consisting of six people, is brought closer together because of this. They feel like victims. Not only did they like their old boss, but they are afraid of possible changes and have heard that the new boss is toxic. As soon as Rachel arrives, the group dynamic changes as she’s one of those bosses who play their employees off against each other. But her toxicity doesn’t stop there. She poisons the atmosphere, is openly hostile and offensive, and makes everyone feel inadequate.

It was fascinating to read how the different members of the group experience her and where they stand in their personal lives. The characters are all so different and for each of them something else is at stake.

There’s plenty of conflict from the beginning of the novel and there’s the second narrative which explores a story of child abuse, but what made this really suspenseful is a series of things that happen that show there’s someone among the group who wants to harm people. So, with the exception of Anne, everyone, even the former boss, is a suspect of foul play and the reader is led to belive that each of them would be capable of doing something dreadful.

There was  a manipulative element that bugged me a bit, once I found out who was capable of committing a crime, but the book as a whole, especially as a story of office life, was so entertaining that I’m willing to forgive that. I would also happily read another of Tammy Cohen’s novels. Tammy Cohen has also written as Tamar Cohen and, next year, Transworld Books will publish a novel written under her pen name Rachel Rhys. When She Was Bad has just been optioned for TV.

Sjöwall & Wahlöö: The Locked Room (1972) Martin Beck Series

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One could say that Sjöwall and Wahlöö are the grandfathers of Swedish crime. They wrote long before Nordic crime was the thing it has become. Their Martin Beck series is said to be one of the best around. A true classic. While the books have been around for as long as I can think, I never picked one up, although I have always been curious. Now, finally, because I was looking for a locked room mystery, I came across the eight title in the Martin Beck series, The Locked Room, and thought I’ll give it a try. I know it’s not ideal to start with book eight in a series but it was OK. I never felt liked I was missing a ton of information. According to Michael Connelly, who wrote the introduction to this book, it’s one of their best.

This book was not what I’ve expected. It was so much better. So good in fact that I immediately downloaded the first in the series.

Detective Inspector Martin Beck isn’t the central character in this book because he’s been shot and only just returned to work after an eighteen month break. To help him get back into the routine, he’s been assigned a minor case. A man has shot himself and Beck has to wrap up the case.

Parallel to this case, we follow the police investigating a bank robbery that has gone terribly wrong. One of the customers was shot. For years, the police have tried to catch a group of bank robbers, but they always escaped. The police are pretty sure that the robbers they are chasing, robbed this bank as well, even though they never shot anyone before.

The readers know from the beginning that someone else has robbed the bank. We also learn that the suicide Beck investigates was a murder. The man was found dead, shot, in a locked room and no weapon could be found.

These are two very different cases. The one Beck investigates is more suspenseful as we only know as much as Beck knows. The other case is rather hilarious. And this is exactly why this series surprised me so much and why I loved this book. Very obviously Sjöwall and Wahlöö were very fond of their character Beck. Beck, who is a bit of a loner, is very intelligent, a thinker, slightly sarcastic and disillusioned but not bitter. His colleagues aren’t too keen on him, they find him bizarre and too unconventional. He’s definitely an outsider. While we can feel how much the authors like Beck, we also notice quickly, how little they think of the police in general. They make fun of the bank robbery squad wherever they can. More than one of their missions turns into a farce. Some of these characters are very likeable too but dorky. Others, especially those higher up in the ranks are just clueless.

I really enjoyed the mix of such different cases. The quiet, introspective case Beck was on and the big bank robbery investigation that took surprising turns and had many funny moments.

Another aspect I liked was that the book was full of social criticism. It’s really quite harsh in places. The authors excoriate Swedish society and politics.

I know that Beck is more prominent in the earlier books, so I can’t wait to read a novel in which he gets more room. He’s a great character.

All in all, a very pleasant surprise. Sharp, pithy writing, combined with dry humour, appealing characters, a realistic setting, and two interesting cases. What more could you want?

Georges Simenon: La chambre bleue – The Blue Room (1963)

The Blue RoomLa chambre bleue

While I’ve read some of Simenon’s Maigret novels, I hadn’t read any of his so-called “romans durs” until now.  Many people say they are far better than the Maigret novels and after having read The Blue Room –  La chambre bleue I think I can understand why. I can also see the influence the romans durs must have had on some newer authors like Pascal Garnier. Luckily for me, I liked Simenon’s novel much more than the Garnier novel I’ve read so far. The Blue Room is excellent.

The book starts with a scene in a hotel room – the blue room. Two people, Tony and Andrée, have just made love and he’s standing in front of a mirror, wiping away blood from his lips. The book starts in medias res, with a conversation. Andrée, who is watching Tony from the bed, is asking him, if she’s hurt him. Apparently she bit his lip. From the way she asks, we can deduce that it wasn’t as accidental as he believes. No, she probably bit him, so his wife will ask questions. What Andrée doesn’t know is that she’s not Tony’s first affair and that his wife is likely to ignore this one just like she ignored the others. Andrée then asks Tony whether he loves her and would love to spend his life with her. Tony’s not very attentive and says yes. A fatal error as the reader will find out very quickly. At the end of the scene in the hotel room, the book seamlessly switches to the examining magistrate’s chambers, where Tony is trying to defend himself in front of a psychiatrist and his lawyer.

The scene in the hotel room is a pivotal moment. From there the book moves backwards and forwards in time, unfolding Tony and Andrée’s whole story, from when they met as kids, to when they became lovers. It also switches from scenes set in the past to scenes in the present in which Tony, who has been arrested, tells his side of the story. The way Simenon has interwoven those narrative strands is pretty amazing. Nowadays, we’d have the different strands either separated by breaks between paragraphs, or chapters. Not so here, which makes it much more fluid, much more like watching a film.

Simenon’s style is hard to describe. It’s unadorned but so precise. Everything he chooses in his descriptions works masterfully. It’s like we’re looking at his characters through a microscope. The tiniest ugly little detail is laid bare.

While I don’t think his books are about suspense, it was suspenseful nonetheless because for a long time we have no clue why Tony got arrested. Nothing in the pivotal scene let’s us suspect that.

The Blue Room is a cruel, bleak analysis of a love affair that goes terribly wrong, written in evocative and pared-down prose. A great little book.

If you’d like to read a more eloquent review of the novel, here’s John Banville’s review of the Blue Room. He goes as far as comparing Simenon to Kafka.

The Blue Room has been made into a movie. I hope I can watch it soon.

 

 

This book was on the 20 under 200 list I did last summer. I must admit, I’ve been slacking. I’ve only read five or six from that list.

Lucie Whitehouse: Keep You Close (2016)

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This is just a quick review of Lucie Whitehouse’s latest novel Keep You Close. It’s short because it’s more easily spoilt than other crime novels. It has a couple of really surprising twists and it would be sad to give them away.

The famous, rich young painter Marianne Glass is found dead in her garden. The police say that it was an accident. Her former best friend Rowan Winter doesn’t believe this. Marianne suffered from crippling vertigo and would never have gone this close to edge of the roof.

When Rowan hears of her former best friend’s death, she travels to Oxford and the home of the Glass family. Marianne’s house is a place where she once used to be a constant visitor. Rowan, who lost her mother as a young girl and whose father never had time for her, found a second family in her friend’s family. Coming back after all these years is intense, to say the least. Although the circumstances are dire, the Glass family, or what is left of them, are happy to see Rowan again and even ask her to house-sit for them. Rowan however has a hidden agenda. She’s the only one who cannot belive that Marianne’s death was an accident. Could it have been a suicide? She doesn’t think so, she thinks that something far more sinister has happened and wants to investigate Marianne’s death.

Early on we find out that Rowan and Marianne hadn’t been in contact for ten years because of something that happened back then. This was right about the same time Marianne’s father died in a car crash. The official version was that they had a falling out because Rowan intruded too much and didn’t let Marianne grieve. But the reader questions soon whether Rowan isn’t hiding something.

A lot of things are mysterious. Someone seems to watch the house at night. Someone else or maybe the same person tries to break in. A lot of people seem to gain, one way or the other, through Marianne’s death. Some even attack Rowan, saying that she’s profiting as well, since she was able to renew her friendship with the Glass’s and begins a relationship with Marianne’s brother.

Keep You Close is an entertaining book but not entirely convincing. I didn’t mind the slow pace as much as the implausibility of some of the twists. One was really surprising and well done, the others were over the top. All in all, it’s not a bad book, but not as good as some of her older novels. This is her fourth and I’ve read three of them so far. I liked both The House at Midnight and Before We Met better than this. If you’ve never read anything by Lucie Whitehouse, I’d suggest to start with one of her earlier novels. I read The House at Midnight before blogging, so you won’t find a review, but here’s my review of Before We Met.