Literature and War Readalong January 2017: House Made of Dawn by N. Scott Momaday

house-made-of-dawn

The Pulitzer Prize winner of 1966, House Made of Dawn by Kiowa writer N. Scott Momaday, is the first title of the Literature and War Readalong 2017. It’s the first novel by an Native American or American Indian writer (I’m not sure which is the preferred name) I’ve included in the readalong. We’ll be reading another one later this year, Leslie Marmon Silko’s Ceremony.

N. Scott Momaday is a writer, poet and essayist. House Made of Dawn is considered to be the first novel of the Native American Renaissance and because it won the Pulitzer Prize it is also the first novel of a Native American that made it into the mainstream.

Here are the first sentences of House Made of Dawn:

Dypaloh. There was a house made of dawn. It was made of pollen and of rain, and the land was very old and everlasting. There were many colors on the hills, and the plain was bright with different-colored clays and sands. Red and blue and spotted horses grazed in the plain, and there was a dark wilderness on the mountains beyond. The land was still and strong. It was beautiful all around.

And some details and the blurb for those who want to join

House Made of Dawn by N. Scott Momaday, 208 pages, US 1966, WWII

The magnificent Pulitzer Prize-winning novel of a stranger in his native land

A young Native American, Abel has come home from a foreign war to find himself caught between two worlds. The first is the world of his father’s, wedding him to the rhythm of the seasons, the harsh beauty of the land, and the ancient rites and traditions of his people. But the other world — modern, industrial America — pulls at Abel, demanding his loyalty, claiming his soul, goading him into a destructive, compulsive cycle of dissipation and disgust. And the young man, torn in two, descends into hell.

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The discussion starts on Tuesday, 31 January 2017.

Further information on the Literature and War Readalong 2017, including all the book blurbs, can be found here.

Final Thoughts on German Literature Month 2016

german-literature-month-vi

I know that some of you, including my co-host, are extending German Literature Month through December. I am not keen on extending events, so this is my goodbye to GLM.

A usual, the event was a success. There have been 119 reviews so far. Normally I try to read as many reviews as possible but November was too hectic and upsetting to do so. I still hope to visit a few of you. In any case, thank you so much for participating.

I’ve done quite well with my reading plans this year, but I haven’t reviewed everything I’ve read. Tony wrote about Judith Herrmann’s collection Lettipark here. I felt pretty much the same about the book, so I skipped the review. I’ll return to some stories, but overall it left me rather cold.

I never got to reading the fantasy novel I intended to read nor another short story collection but that’s OK. I’m especially glad I read Walter Kempowski and Uwe Timm.

I loved Capus’ novel when I read it but it’s already fading. Not the best sign. I enjoyed returning to Ursula P. Archer aka Ursula Poznanski and will read more of her crime and YA novels.

Thank you again for participating.

 

Walter Kempowski: All for Nothing – Alles umsonst (2006) Literature and War Readalong November 2016

alles-umsonstAll For Nothing

Until not too long ago, even Germans thought it was in bad taste to write about German suffering during WWII. The feeling of guilt ran too deep. I still remember the discussion when the movie Anonyma came out in 2008. It’s based on the diary of a German woman who was in Berlin when the Russian army arrived. She was one of 2,000,000 German women who were raped many times by the Russian troops. We may look at the war any which way we want, there’s no denying that the Germans suffered too. We just have to think of the bombing of Dresden, the mass rapes of German women by Russian troops and – of course – the huge number of people who were forced to flee from the East towards the West, when the war was lost. Many of these Germans would never be able to return because the place they came from wouldn’t be part of Germany anymore.

This may seem a lengthy introduction but it’s essential to understand not only the importance but the scope of Walter Kempowskis’ powerful and chilling novel All For Nothing – Alles umsonst .

All for Nothing is set in East Prussia, in the winter of 45. In January, to be precise. The story mostly takes place on the Georgenhof estate, located near Mitkau, not too far from Königsberg. Königsberg which was once famous was almost completely destroyed and is now called Kaliningrad. For further understanding, I’ve added two maps.

east-prussia

The map above shows East Prussia in red. The other one below, is a map from 1945. It is more detailed and shows other territories. It’s easy to understand when you look at the maps, how precarious the situation was for the civilians in East Prussia when the Russians started to advance.

germany-1945

At the beginning of the novel, people already start to flee in the direction of Berlin, only the people on Georgenhof, the von Globig’s, behave as if nothing was happening. This is mostly due to Katharina von Globig’s character. She’s the wife of the estate owner who is serving in Italy. Together with her twelve-year-old son, her husband’s elderly aunt and Polish and Ukrainian servants, she lives a life of carefree ease. She’s someone who likes to withdraw from the world, into her own realm. She lives in an apartment inside of the large estate where nobody is allowed to enter. Here she reads, dreams, smokes, cuts out silhouettes, and thinks of an affair she had some years ago. Possibly the only time in her life in which she was really happy.

The aunt is a typical old maid. In the absence of her nephew, and knowing how little Katharina cares, she is in charge of the estate. Peter, the son, who should be with the Hitler Youth, pretends he’s got a cold and, like his mother, flees to other realms in his imagination.

When the first refugees arrive, the small household welcomes them. They feed and entertain them, just as if they were ordinary guests. Katharina may be distracted but she’s kind and generous. Even though her husband calls her occasionally and urges her to leave, she stays put.

But some of the refugees tell horror stories and even Katharina and the aunt realize that falling into the hands of the Russians might prove fatal. Only their life is so comfortable, so enjoyable, how can they leave everything behind? This is an incredible dilemma, and one can easily understand how so many waited far too long before they finally fled.

In the case of the von Globig’s it needs a tragedy that finally pushes them to make a decision.

The first half of the book tells the story before they flee, the second half, tells the story of the flight.

It was so strange, but reading the first almost peaceful part was really stressful. The reader knows what’s coming but the character’s don’t. It takes so long until it sinks in that all is lost.

The descriptions of the flight, those long, endless treks of refugees is harrowing. Not only are the Russians pushing forward, but the refugees are bombed and dead people and horses are piled up to the left and the right of the roads.

Kempowski did a great job at describing in a poignant way how this must have been without traumatizing the reader. We read, breathlessly, but it’s not too graphic and the characters are held at arm’s length. That doesn’t mean the book left me cold. Not at all but it never felt like it was manipulative and trying to shock and disgust.

People often say “Why didn’t they leave earlier?” when speaking of people who are trapped in a war zone. When you read this, you get a good feeling for the reasons. Not only do they have to abandon everything, but they have no idea whether it will be better where they are going. Besides, back then, all they had was accounts of a few other refugees and British radio. Their own radio told them that it was negative propaganda, that all was well, the frontline still secure. How would you have known for sure?

The luckiest thing may have been that they fled back to their own homeland and could stay on territory in which their own language was spoke. While many didn’t make it and many had a very uncertain future, they had at least that. Unlike the refugees that come to Europe from the war zones in the Middle East.

Before ending, I’d like to say a few things about the characters and Kempowski’s style. He does something I’ve never seen before. Almost every other sentence ends in a question mark. It’s really bizarre and I’m surprised it didn’t annoy me. Interestingly, it felt like we hear the characters question themselves all the time. I read a few reviews and apparently he tried to show the general confusion. I’d say he was very successful but it takes some getting used to. His characters are very well drawn. Even minor characters come to life. Most of the time he uses indirect speech but you can still hear the different mannerisms. People repeat the same stories again and again. Just like in real life. Sometimes that’s quite funny. People can be so absurd. Petty. Self-absorbed. Ridiculous. Under the circumstances it’s tragically comic. As I said, Kempowski keeps the reader at arm’s length, that’s why there isn’t a character I loved but there were two I genuinely disliked. One of them was Peter. I would love to know if anyone who read this had a similar reaction. The more I approached the end, the more I disliked this kid. Such a cold fish.

I’m so glad that I chose this novel for the readalong because it’s not only powerful but important. It tells a story that needed to be told and does so masterfully. Raising awareness for a tragedy, making characters  come to life on the page, but not bang your readers over the head or traumatize them – that’s no mean feat.

Other reviews

 

 

 

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All For Nothing is the fifth book in the Literature and War Readalong 2016. The list for next year’s Literature and War Readalong will be published in December. Further information on the Literature and War Readalong 2016, including the book blurbs can be found here.

Literature and War Readalong November 2016 Meets German Literature Month: All For Nothing – Alles umsonst by Walter Kempowski

All For Nothing

The last title of this year’s Literature and War Readalong is Walter Kempowski’s All For Nothing – Alles umsonst. It was Kempowski’s last novel. Walter Kempowski was born in 1929 in Rostock and died in 2007 in Rotenburg. He was famous for his autobiographical novels, one of which Tadellöser & Wolff, was made into a mini-series, and his huge project Echo Soundings – Echolot, subtitled “A collective diary”. In this project he collected and juxtaposed excerpts of diaries, letters ,and documents to illustrate and capture history.

Here is the first sentence of All for Nothing

The Georgenhof estate was not far from Mitkau, a small town in East Prussia, and now, in winter, the Georgenhof, surrounded by old oaks, lay in the landscape like a black island in a white sea.

And some details and the blurb for those who want to join

All For Nothing – Alles umsonst by Walter Kempowski, 352 pages, Germany 2006, WWII

Here’s the blurb:

Winter, January 1945. It is cold and dark, and the German army is retreating from the Russian advance. Germans are fleeing the occupied territories in their thousands, in cars and carts and on foot. But in a rural East Prussian manor house, the wealthy von Globig family tries to seal itself off from the world. Peter von Globig is twelve, and feigns a cough to get out of his Hitler Youth duties, preferring to sledge behind the house and look at snowflakes through his microscope. His father Eberhard is stationed in Italy – a desk job safe from the front – and his bookish and musical mother Katharina has withdrawn into herself. Instead the house is run by a conservative, frugal aunt, helped by two Ukrainian maids and an energetic Pole. Protected by their privileged lifestyle from the deprivation and chaos around them, and caught in the grip of indecision, they make no preparations to leave, until Katharina’s decision to harbour a stranger for the night begins their undoing. Superbly expressive and strikingly vivid, sympathetic yet painfully honest about the motivations of its characters, All for Nothing is a devastating portrait of the self-delusions, complicities and denials of the German people as the Third Reich comes to an end.

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The discussion starts on Friday, 25 November 2016.

Further information on the Literature and War Readalong 2016, including all the book blurbs, can be found here.

Ben Fountain: Billy Lynn’s Long Halftime Walk (2012) Literature and War Readalong September 2016

Billy Lynn's Halftime Walk

Luckily Billy Lynn’s Long Halftime Walk was one of my readalong titles or I might have given up after fifty pages. I found it hard to get into but once I passed the fifty page mark, I was so engrossed, I could hardly put it down. What a terrific, poignant, witty, and sarcastic book.

The novel is set on the last days of Bravo company’s victory tour. Billy Lynn and his comrades are heroes. They survived a firefight in Iraq, during which they overthrew a group of insurgents. One of the Bravos died in the fight, another one came back disabled. Nonetheless, this “sacrifice” might have passed unnoticed if it hadn’t been filmed by an embedded journalist. As a reward they receive medals and are sent home on a propaganda tour.

This does it; they throw back their heads and roar. In a way it’s so easy, all he has to do is say what they want to hear and they’re happy, they love him, everybody gets along. Sometimes he has to remind himself there’s no dishonor in it. He hasn’t told any lies, he doesn’t exaggerate, yet so often he comes away from these encounters with the sleazy, gamey aftertaste of having lied.

The last day is meant not only as a special tribute but as a special treat. The Bravos assist and participate in a game of the Dallas Cowboys. They are allowed to go back stage and to talk to the players, their manager and their rich Texan supporters. At halftime, they are on the field, right next to the musical attraction – Destiny’s Child. And during every break, the footage of their fight is shown on a giant screen.

During this tour, and especially on this last day, people force themselves on the young men, telling them how much they admire them, asking them questions about the war “Are we winning?” – “Did you kill many?” – “It’s a god war we’re fighting, right?”

Billy who’s done the most heroic thing, is the 3rd person narrator of this story. Like Holden Caufield he is equally precocious and naïve and such a terrific character. One of the central plot lines is his falling in love with a cheerleader. While his testosterone-fuelled feelings might not be love, as he thinks, hers are even further from the feeling as all she wants is “a hero” – “a soldier”, as Destiny’s Child sing. She wants the idea of a man, not the man himself.

“Hi, you’ve reached Faison! I’m not able to take your call right now…”

It makes for an odd sensation, watching her real-time person in the middle distance while holding her disembodied voice to his ear. It puts a frame around the situation, gives it focus, perspective. It makes him aware of himself being aware of himself, and here is a mystery that seems worth thinking about, why this stacking of awareness should even matter. Ant the moment all he knows is that there’s structure in it, a pleasing sense of poise or mental ordering. A kind of knowledge, or maybe a bridge thereto–as if existence didn’t necessarily have to be a moron’s progress of lurching from one damn this to another? As if you might aspire to some sort of context in your life, a condition he associates with adultness. Then comes the beep, and he has to talk.

It’s a very difficult book to review as it’s not very plot-driven. It’s the exuberant style that’s important, the descriptions of the absurdities, the frenzy with wich football and war are celebrated by the very rich, as if both only served one purpose – to make them feel good about themselves and about being Americans.

Where else but America could football flourish, America with its millions of fertile acres of corn, soy, and wheat, its lakes of dairy, its year-round gushers of fruits and vegetables, and such meats, that extraordinary pipline of beef, poultry, seafood, and pork, feedlot gorged, vitamin enriched, and hypodermically immunized, humming factories of high-velocity protein production, all of which culminate after several generations of epic nutrition in this strain of industrial-sized humans? Only America could produce such giants.

 

No matter their age or station in life, Billy can’t help but regard his fellow Americans as children. They are bold and proud and certain in the way of clever children blessed with too much self-esteem, and no amount of lecturing will enlighten them as to the state of pure sin toward which war inclines. He pities them, scorns them, loves them, hates them, these children. These boys and girls. These toddlers, these infants. Americans are children who must go somewhere else to grow up, and sometimes die.

 

All the fakeness just rolls right off them, maybe because the nonstop sales job of American life has instilled in them exceptionally high thresholds for sham, puff, spin, bullshit, and outright lies, in other words for advertising in all its forms.

I don’t think I’ve ever come across a contemporary book that was so astute and harsh in its criticism of the negative aspects of American culture. It shows that most things are about money and consumption. And even when people pretend they care about something, they ultimately only care about what it can bring them.

Somewhere along the way America became a giant mall with a country attached.

The book is written in a frantic, quick-paced style, with long sentences and paragraphs that reminded me of listening to a frenzied sports commentator.

Billy tries to imagine the vast systems that support these athletes. They are among the best-cared for creatures in the history of the planet, beneficiaries of the best nutrition, the latest technologies, the finest medical care, they live at the very pinnacle of American innovation and abundance, which inspires an extraordinary thought – send them to fight the war! Send them just as they are this moment, well rested, suited up, psyched for brutal combat, send the entire NFL! Attack with all our bears and raiders, our ferocious redskins, our jets, eagles, falcons, chiefs, patriots, cowboys – how could a bunch of skinny hajjis in man-skits and sandals stand a chance against these all-Americans? Resistance is futile, oh Arab foes. Surrender now and save yourself a world of hurt, for our mighty football players cannot be stopped, they are so huge, so strong, so fearsomely ripped that mere bombs and bullets bounce off their bones of steel. Submit, lest our awesome NFL show you straight to the flaming gates of hell!

Sometimes, when I watch a war movie or read a book about war, I have my doubts. I wonder whether or not it’s really anti-war – as it should. I never wondered for one second while reading this book. It’s not only against war but against the justification, the fake heroism, the phony concern and gratefulness. But it’s kind to the soldiers. They are shown as victims who very often only joined up because they were too poor to do anything else.

I was thinking, if Salinger had written Catcher in the Rye right after 9/11, it might have been a lot like Billy Lynn. I loved the Catcher in the Rye. Needless to say, I loved Billy Lynn.

Since the writing is the most important thing in this book, I’ll leave you with some more quotes:

Don’t talk about shit you don’t know, Billy thinks, and therein lies the dynamic of all such encounters, the Bravos speak from the high ground of experience. They are authentic. They are the Real. They have dealt much death and received much death and smelled it and held it and slopped through it in their boots, had it spattered on their clothes and tasted it in their mouths. That is their advantage, and given the masculine standard America has set for itself it is interesting how few actually qualify. Why we fight, yo, who is this we? Here in the chicken-hawk nation of blowhards and bluffers, Bravo always has the ace of bloods up its sleeve.

 

Fear is the mother of all emotion. Before love, hate, spite, grief, rage, and all the rest, there was fear, and fear gave birth to them all.

 

It’s going to be a long, lonesome eleven months in Iraq, long and lonesome being the best-case scenario.

 

Everybody supports the troops,” Dime woofs, “support the troops, support the troops, hell yeah we’re so fucking PROUD of our troops, but when it comes to actual money? Like somebody might have to come out of pocket for the troops? Then all the sudden we’re on everybody’s tight-ass budget. Talk is cheap, I got that, but gimme a break. Talk is cheap but money screams, this is our country, guys. And I fear for it. I think we should all fear for it.

 

Other reviews

 

 

 

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Billy Lynn’s Long Halftime Walk is the fourth book in the Literature and War Readalong 2016. The next book is the German WWII novel All For Nothing – Alles umsonst by Walter Kempowski. Discussion starts on Friday 25 November, 2016. Further information on the Literature and War Readalong 2016, including the book blurbs can be found here.

Announcing German Literature Month VI

german-literature-month-vi
“Who would want to be without Caroline and Lizzy’s German Literature Month?” asks Sally-Ann Spencer in the 20th anniversary edition of New Books in German. The good news is that neither Lizzy nor I want to be without it. So it is our great pleasure to announce that German Literature Month VI is now inked in our diaries for this coming November.
Albeit a little less structured than in previous iterations. We’ve learned that regular participants are not short of ideas, and love to read as they please.  So that’s what German Literature Month VI is about. Fiction, non-fiction, graphic novels, novellas, short stories, plays, poetry, classic or contemporary, written by male or female, the choice is yours. As long as the original work was written in German, read as you please, and enjoy yourselves!
That said, there are a couple of scheduled activities for those who like to take part in group readings.
1)  Lizzy will be hosting a Krimi week during week two, concentrating mainly on Austrian and Swiss crime fiction. (If anyone is looking for a cracking read to discuss that week, she recommends Ursula P Archer’s Five.)
2) I have scheduled a Literature and War readalong for Friday 25 November. The book for discussion is Walter Kempowski’s All For Nothing.
We are very much looking forward to this, and hope you will join us. Don’t forget to tell us your plans. There’s often as much fun in the planning as there is in the reading!
If you need ideas – go to the German Literature Page on this blog or to the GLM blog.

Literature and War Readalong September 30 2016: Billy Lynn’s Long Halftime Walk by Ben Fountain

Billy Lynn's Halftime Walk

Next up in the Literature and War Readalong 2016 is Ben Fountain’s novel on the war in Iraq Billy Lynn’s Long Halftime Walk. Billy Lynn is Ben Fountain’s first novel. Before that he was mostly known as a short story writer. Many of his stories were published in prestigious magazines and received prizes (the O.Henry and Pushcart among others). A lot of people who already read this novel, told me how much they liked it. If I’m not mistaken, the book is set in the States and not in Iraq. It’s neither a war zone story, nor a home front story but a story of soldiers who are back home to celebrate a victory, before they will be shipped out again.

Billy Lynn’s Long Halftime Walk by Ben Fountain,  307 pages, US 2012, War in Iraq

Here are the first sentences

The men of Bravo are not cold. It’s a chilly and windwhipped Thanksgiving Day with sleet and freezing rain forecast for late afternoon, but Bravo is nicely blazed on Jack and Cokes thanks to the epic crawl of game-day traffic and limo’s mini bar. Five drinks in forty minutes is probably pushing it, but Billy needs some refreshment after the hotel lobby, where over caffeinated tag teams of grateful citizens trampolined right down the middle of his hangover.

Here’s the blurb:

His whole nation is celebrating what is the worst day of his life

Nineteen-year-old Billy Lynn is home from Iraq. And he’s a hero. Billy and the rest of Bravo Company were filmed defeating Iraqi insurgents in a ferocious firefight. Now Bravo’s three minutes of extreme bravery is a YouTube sensation and the Bush Administration has sent them on a nationwide Victory Tour.

During the final hours of the tour Billy will mix with the rich and powerful, endure the politics and praise of his fellow Americans – and fall in love. He’ll face hard truths about life and death, family and friendship, honour and duty.

Tomorrow he must go back to war.

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The discussion starts on Friday, 30 September 2016.

Further information on the Literature and War Readalong 2016, including all the book blurbs, can be found here.